I just finished reading The Darkhold: Iron Man by Ryan North (W) and Guillermo Sanna (A) and I. am. screaming. This issue is, without any doubt, the best Iron Man comic that's been published in years. Years. Forget the next installment of the Cantwell run (which also dropped today); just buy The Darkhold, and buy it in job lots so Marvel gets the freakin' message.
Sunday, October 31, 2021
Two More Comic Reviews:
Saturday, June 19, 2021
One Review, One Advertisement, and Several Streams
Saturday, May 15, 2021
ICYMI: My Latest Comics Stream w/#1 Marmaduke Fan
Here, we talk about the incredibly stupid marketing campaign for the Hellfire Gala, dive deep into Way of X #1, and then finish the broadcast with my favorite title: Iron Man!
Saturday, April 3, 2021
Western Comics, 4/2021
Kamen America, vol. 3
Writer: Mark Pellegrini
Artist: Timothy Lim
(Iconic Comics, Superhero)
The young ladies who make up the Kamen Corps are just as adorable - and layered! - as ever in this, the third entry in the crowdfunded Kamen America series. Once again, Pellegrini and Lim demonstrate that they are consummate pros when it comes to delivering a product that is both entertaining and of high quality. I didn’t feel quite the same emotional punch with this book as I did with volume 2 (see my first column for Tightbeam), but there is still much here to inspire my happy recommendation, including a twist in the final pages that will make you want to read the first three volumes again — and an on-point-yet-subtle commentary on the chaos envy can wreak in many female relationships. PS: My own prediction regarding Carly’s rival turned out to be 100% accurate. Go me! ★★★★
Flying Sparks, vol. 1
Writer: Jon Del Arroz
Artist: Jethro Morales
(Amazon, Superhero)
Yes, I know: I’m incredibly late on this one — and I regret that because the concept that animates this book is a super fun spin on a classic trope. I’ve always been a big fan of what some on the net term “identity porn.” I love, for example, all those scenes in my classic Marvel comics in which some other Avenger openly praises or longs for Tony Stark’s engineering expertise while Iron Man is standing right there. Well, in Flying Sparks, Del Arroz takes the identity porn to a whole new - and delicious - level. You see, in their ordinary lives, Johnny and Chloe are boyfriend and girlfriend — but in their secret lives, they are, respectively, a budding supervillain and a budding superhero. The irony this sets up as we jump between competing narratives definitely makes for an excellent read. ★★★★
Stillwater, vol. 1
Writer: Chip Zdarsky
Artist: Ramon Perez
(Image Comics, Fantasy — Real World Setting)
As you may have noticed, Zdarsky is a writer I trust and like, so when I saw this series up for sale, I didn’t hesitate to pick it up. The eponymous town in this book is one in which, thanks to a mysterious event years ago, no one ever ages and no one ever dies. To protect the secret of Stillwater, the town judge has locked the place down and barred any of its residents from leaving — or communicating with outside friends and family. But not everyone is happy with this state of affairs; some are chafing under the judge’s tyrannical rule and are assembling to challenge his authority so that they may live ordinary lives. It’s an interesting premise - particularly in this day and age - because it highlights the tension that always exists between a population’s security and its liberty. The first issues here haven’t really gotten to the meat of the story just yet, but I absolutely see its potential and will be following this series in the future. ★★★ 1/2
Wrath, #1-2
Writer: Scott Kysh
Artists: Emi Utrera & Drew Smith
(Wikid Publishing, Fantasy — Real World Setting)
The main character of this new crowdfunded comic is a survivor of childhood abuse who learns that his anger at his biological father can escape his body and take physical form in the real world. The story has only just begun, so I don’t know yet where the author intends to take this idea. However, I’m intrigued already that the protagonist does not have perfect control over his spirit monster — and that he seems to get a possibly corrupting rush from using his new ability. This could be a really strong exploration of the negative impacts of unprocessed trauma depending on what happens next. As with Stillwater above, there is potential here, and I’m genuinely eager to buy the next issue. I just hope I don’t have too long to wait! ★★★ 1/2 .
And while you're here, click below to listen to my latest Iron Man-focused stream!
Friday, March 12, 2021
Friday, January 15, 2021
Friday, November 13, 2020
Two Recommendations & Iron Man #3
So what do I think of this particular issue? Uh. Well. The art remains top-notch (and is the reason why I'm buying these at this point), and the story does dial back somewhat on the obnoxiously overt political commentary, so -- that's a marginal improvement, I guess? On the whole, though, it still isn't what I'm looking for. It still feels like Cantwell, at best, only partially groks Tony on a fundamental level.
Friday, October 23, 2020
More Reviews!
Iron Man #2
Okay: now that two issues of the Iron Man relaunch have been released, it's time for some more extensive commentary on Christopher Cantwell's so-called "back-to-basics" take. And as I said yesterday on Twitter:
At any rate, buckle up for some ranting in re: Tony and the most annoying discourse in the world.
— The Right Geek (@TheRightGeek) October 21, 2020
Honestly, the fact that issue two royally honked me off is an absolute tragedy because this new run - despite the rage-inducing bull I'm about to discuss - brings quite a lot to the table.
Continue reading over on my Iron Man blog...
(And then afterwards, if you'd like, watch my rant on YouTube, which adds a few more things I didn't include in the blog post.)
Friday, October 16, 2020
Capsule Recommendations & My Iron Man #1 Reaction
And as for my reaction to the new Iron Man #1, click below...
To sum up my reaction to Iron Man this week: 🤷♀️🤷♀️🤷♀️🤷♀️🤷♀️
— The Right Geek (@TheRightGeek) September 16, 2020
Monday, August 31, 2020
Thank God Iron Man 2020 Is Finally OVER. (Cross-Post)
I'm fairly proud of this negative review, so what the hell: I'll post it here as well.
Monday, August 24, 2020
Two Geeky Recommendations, 8/24/20
In which I hawk Iron Man Noir and Avengers: Earth's Mightiest Heroes to my YouTube audience.
Wednesday, July 22, 2020
The Right Geek's Birthday Stream!
This was a free-form stream with a couple of my YouTube bros. And yes, I'm pretty sure the tags below don't quite cover everything we discussed.
Sunday, June 14, 2020
Marvel's Rebooting Iron Man Again
Just saw an announcement on an Iron Man relaunch that promises a "back to basics" approach. Hmm. Might I make a few suggestions? (Thread)
— The Right Geek (@TheRightGeek) June 12, 2020
Friday, May 29, 2020
Happy Birthday, Tony Stark!
More than a year has passed since your arc concluded in the MCU, and I'm still not over it.
I have already expressed many, many feelings about you -- and will likely express many, many more each time I re-watch your movies in the future. Why? Because there's so much there.
I adore you because you're so deeply human. You have capital-I Issues. You don't process trauma well or trust others easily. Sometimes you get scared; sometimes you lose your temper. You make stupid mistakes. But all the while, you're trying.
And then there are the little things. Like the Christmas stocking you've kept for Jarvis. Or that ridiculous bunny. Or the fact that you talk to inanimate objects like they're people. Or the fact that you teach Nebula how to play paper football just because. When the defensive mask comes off, you're the biggest dork in the world.
And holy eff, do you love your friends and family! You will invite a terrorist to your home for a cage match to avenge a buddy's injury. And yes, that's you being an idiot -- but it's also the depth of your passion on full display.
As I once said in a YouTube video, your story of growth and redemption is one of the world's ur-stories. I think that's why I - and countless others - find it so deeply satisfying. We all need to hear that, no matter how far we've fallen, we can still change course -- and change the world.
So here's to you, Tony. You are a damned legend.
Wednesday, April 15, 2020
IMB, 4/15/20: What If? Civil War
So I'm breaking with my plan again because I discovered a book last night I somehow missed on my first read-through that managed to murder my poor heart: What If? Civil War.
Like I said, I have many problems with Civil War. As I've written elsewhere:
"My biggest problem with this event in re: Tony is the lack of consistency. In some issues, he's coldly accepting of the new order -- to the point that he willingly lays traps to snare rebels. In other issues, he's screaming in pain over what he feels he has to do (Frontline #11), sobbing openly over losing friends (Casualties of War, The Confession), or laying around in bed and not showering for days because he's been crippled by his depression and self-doubt (the Iron Man tie-ins). True: these differences could be explained away with the public face/private face contrast that's been central to the character since Tales of Suspense. But -- then I remember those forty years of comics prior to Civil War and think: no, no, it still doesn't work. Is it plausible that Tony would accept the necessity of government oversight to stave off something worse? Yes, of course, if you write it carefully. But would he ever agree to ratchet the enforcement to level eleven the minute the clock strikes midnight? No. No way. That's what's dumb. He'd scramble to negotiate first. And oh by the way, if he overheard SHIELD commandos calling themselves "cape-killers," he'd shut that shit down with extreme prejudice because he fucking loves his friends. That's the Tony I have come to know."
I also hate the either/or thinking that's been encouraged in the fandom surrounding Civil War. As it turns out, the issues in play here are not quite so clear-cut. If superheroes are simply extra-competent good Samaritans, then yes: government oversight is probably overkill. But if they're a quasi-military or police force? Well, there's a reason why the real-world military must answer to a civilian commander-in-chief.
But anyway -- that's a discussion for later. Let us return to the reason for this post. In What If? Civil War, Tony is visited at Steve's grave site by the Stranger, who shows him two alternate resolutions to the recent conflict. In the first, Tony's dead before it even starts; consequently, the enforcement of the SHRA is even more brutal and uncompromising. This confirms for Tony that his choice to back the SHRA was ultimately correct. But wait: not so fast. There is another option:
Friday, April 3, 2020
IMB, 4/3/20: Armor Wars!
And by the way, if you take a gander at the right sidebar, you'll see I've created a new, Iron Man-focused blog. Enjoy!
Wednesday, March 25, 2020
IMB, 3/25/20: Reviewing Back Issues in Quarantine!
Iron Man #172:
Iron Man #182, the Absolute Fave:
Sunday, March 15, 2020
Getcher Video Reviews Right Here!
Rescue 2020 #1 and Avengers #31:
Friday, February 14, 2020
IMB, 2/14/20: Bringing More Iron Man to YouTube
Yeah, I'm not liking Iron Man 2020 so far. And yeah, I'm planning to write a take-down of "The Secret Origin of Tony Stark" one day -- because I totally mean it when I declare it the most pointless Iron Man arc of the last decade. :-P
Thursday, February 6, 2020
IMB, 2/6/20: A Recent Invention (Late Post)
As of now, I have revisited all the Iron Man comics that were published between his debut in 1963 and 2014 (not to mention a bunch of his appearances in the Avengers line and elsewhere) -- and based on what I've read, Tony Stark wasn't depicted as arrogant until the late 90's (and back then, it was still only an occasional flaw).
I'm sure that must sound weird to the normies out there - or to the young'uns who've only read his 21st century iteration - but I swear to God, just before the century turned, there was a distinct shift in how Tony was written.
Some themes remained constant of course. Tony has been a hard partier from the word go. And yes, he's always displayed what I've described in previous posts as a "need for mastery" -- i.e., a need to have control over his own fate. But unless I've missed something, the Tony Stark of the first era (i.e., the era spanning Tales of Suspense and the first volume of his solo series) isn't prideful -- like, at all.
As a founding Avenger, Tony integrates himself into a team with no trouble; indeed, it's Hawkeye, not Tony, who's most likely to get on Cap's case in this period. Meanwhile, in his own line, Tony shows a repeated tendency towards self-criticism and self-punishment (which, granted, does persist in the better modern books despite the aforementioned shift). When he realizes early on that Pepper has a crush on him, he doesn't pursue her as if she were his birthright; on the contrary, he does everything he can to push Pepper into Happy's arms because "no woman should bear the burden of having a partner who could die at any second." (Yes, that's his exact line of reasoning.) When he gets into a fight with Cap over a misunderstanding, he berates himself at the end of the issue for being an idiot and not realizing he was being played. When he tries to quit being Iron Man and people get hurt, he declares himself a heel and immediately gets to work setting things right. I honestly could go on and on listing examples of first-era-Tony being humble, ethical, and sacrificing.
So what happened? I think Tony's later writers may have fundamentally misunderstood Stan Lee's stated reasoning for inventing the character. Lee once said that he wanted to challenge himself by making a hero out of someone people were likely to hate: a rich, attractive military contractor with the entire world at his feet. In other words, Lee wanted to break a stereotype. This is just my theory, but I think more recent writers transmogrified that into "people had reason to hate Tony before he became Iron Man" -- even though there's zero evidence in early canon that Tony was behaving in a way that supports that notion. And no, the simple act of making weapons is not that evidence. War is inevitable (sorry, utopians); thus, there's nothing inherently wrong with equipping our military with the tools it needs to fight those wars effectively. On the whole, the support for the modern interpretation of Tony Stark, as far as I can tell, all comes from later retcons -- not from Lee's original creation.
No, yon writers of Axis and Superior Iron Man: 616 Tony is not a reformed sociopath just one nudge away from pure depravity. At least, that's not how he was originally written. That's you guys deciding that Tony could not have agreed to pick up military contracts unless he was simply a bad person. That's you guys dumbing this shit down to satisfy your own knee-jerk sensibilities.
(Can you tell I've changed my mind and decided to cover everything -- including the absolute trash? Yeah: I've succumbed to the temptation to complain.)



