Showing posts with label iron man blogging. Show all posts
Showing posts with label iron man blogging. Show all posts

Sunday, October 31, 2021

Two More Comic Reviews:

I just finished reading The Darkhold: Iron Man by Ryan North (W) and Guillermo Sanna (A) and I. am. screaming. This issue is, without any doubt, the best Iron Man comic that's been published in years. Years. Forget the next installment of the Cantwell run (which also dropped today); just buy The Darkhold, and buy it in job lots so Marvel gets the freakin' message.

In The Darkhold, North starts at Tales of Suspense #39 -- but then takes Tony's dependence on that original metal chest plate to a whole new level. Buckle up, because this going to be long, squeeful, and image heavy.




Now after reading the above enthusiastic review, you might be wondering: can RG offer any more updates or commentary on the main Iron Man title?

Uh, yeah. Obviously, a few more issues of Cantwell's Iron Man have in fact been released since my last engagement with that book (see here). But I've just had zero motivation - until now - to write anything more involved than an occasional offhand tweet. Why? Well, based on all my other reviews and YouTube videos (all of which you can find here), you can probably guess: I love the art, but I don't like the story. I just don't like it.

Is it the worst Iron Man story that's ever been written? Eh, I'm not sure. But I think it's definitely competing in a tight horse race to the bottom with The Crossing, Superior Iron Man, and Gillen's dumbass adoption retcon (that no one asked for). Oh, and Iron Man 2020 too. (Shit, there have been a lot of bad Iron Man stories -- which is deeply depressing.) So this is what I'm going to do: I'm going to use this post to present my definitive list of gripes in re: the current run and let that be my final word on Cantwell.

Until, that is, something drastically changes.

Saturday, June 19, 2021

One Review, One Advertisement, and Several Streams

Let's open this post with the review: Yesterday, I started - and rapidly finished - Andy Weir's Project Hail Mary, which is absolutely outstanding and thus earns my highest recommendation. Indeed, I don't think I've been this excited about a book in quite some time.

How shall we describe the premise of Weir's third novel? Well, I read it as an offspring of a marriage between The Martian (reviewed here) and my favorite first contact narratives (like, for example, James Cambias' A Darkling Sea, reviewed here), . 

Like Mark Watney, the protagonist and point-of-view character in Project Hail Mary - Dr. Ryland Grace - is a wise-cracking, super-skilled scientist who must rely on his wits to solve seemingly insurmountable problems. In this case, however, the primary test he faces is not mere survival but an imminent apocalypse: a newly-discovered space-faring unicellular lifeform is syphoning energy off our sun (and off many other stars in our local cluster), and Grace has been sent to Tau Ceti on a fast-tracked suicide mission to find a solution before crop failures and radical climate change destroy the human race. 

Interestingly, the above remit is not something Grace realizes right off the bat; interestingly, it is something he has to discover gradually after waking up from an extended medically-induced coma with severe memory loss. And it is this choice to situate the main character in the same condition of ignorance as the reader as to the full context of his predicament that, in part, makes for a riveting story. 

The other thing that kept me turning the pages besides Grace's slow-to-resolve amnesia (and, of course, Earth's impending doom) is "Rocky," our second principal character. "Rocky" (dubbed thus by Grace because of his mineral-based exoskeleton) is an ammonia-breathing alien spider from the Eridani system who has come to Tau Ceti to save his own species from the very same invasive organism that is threatening Earth. It is "Rocky" who brings the Darkling Sea elements to the table; after Grace and "Rocky" encounter each other, much of the middle chapters are devoted to their attempts to 1.) recognize each other's sapience, 2.) communicate, and 3.) learn about each other's biology and cultural traditions. I suppose another breed of reader might find such exposition boring, but I don't; on the contrary, I'm attracted to science fiction precisely because it tackles this challenge of mutual comprehension so often.

Plus? "Rocky" is so. damned. likable. Once Grace and "Rocky" learn the basics of each other's languages and it's revealed that they're both the sole survivors of their respective missions, they strike up a genuine, heart-felt friendship that, at several points, moved me to tears. The end of chapter 19 in particular is a stand-out moment. I actually had to stop for a while to collect myself before proceeding to chapter 20.

Bottom line, what we have in Project Hail Mary is a book that brings several positives to the table: 1.) sympathetic characters, 2.) high stakes, and 3.) more than one intellectually engaging mystery. On top of all that, we can add the fact that our main characters do not, as we eventually learn, hail from the cream of the crop. "Rocky" is a workhorse engineer, and Grace -- well, I don't want to spoil the specifics about his history, but suffice it to say that he's not a stellar specimen either. And I like what that says, implicitly, about the heroic capacities of ordinary people. This novel is competence porn -- but it's also Human Wave to the core. A+



Now for the advertisement: If you have the time, I encourage all of you to sign up for the July 3rd Zoom seminar that's been arranged by The Society of Tolkien. Said seminar promises to celebrate Tolkien's works as they were intended to be celebrated: without Current Year nonsense. Because of course, Tolkien was a mid-20th century Catholic fantasy writer who, if he were ported to 2021, would find present-day fixations utterly incomprehensible and bizarre.

(Yes, I'm throwing shade at a certain converged organization that shall remain nameless. And no, I'm not even remotely sorry about that. Authorial intent does matter -- and so does historical context.)



And finally, here are the links to my most recent streams:



This one is our discussion of Aldous Huxley's Brave New World.



This one is our regular Iron Man stream, which covered the latest annual, a plot-arc from the early 2000's, and one story from Tales of Suspense.



And this is the one we streamed today on C.S. Lewis' Out of the Silent Planet.

Hope you enjoy!

Saturday, May 15, 2021

ICYMI: My Latest Comics Stream w/#1 Marmaduke Fan

Here, we talk about the incredibly stupid marketing campaign for the Hellfire Gala, dive deep into Way of X #1, and then finish the broadcast with my favorite title: Iron Man!

Saturday, April 3, 2021

Western Comics, 4/2021

Kamen America, vol. 3
Writer: Mark Pellegrini
Artist: Timothy Lim
(Iconic Comics, Superhero)

The young ladies who make up the Kamen Corps are just as adorable - and layered! - as ever in this, the third entry in the crowdfunded Kamen America series. Once again, Pellegrini and Lim demonstrate that they are consummate pros when it comes to delivering a product that is both entertaining and of high quality. I didn’t feel quite the same emotional punch with this book as I did with volume 2 (see my first column for Tightbeam), but there is still much here to inspire my happy recommendation, including a twist in the final pages that will make you want to read the first three volumes again — and an on-point-yet-subtle commentary on the chaos envy can wreak in many female relationships. PS: My own prediction regarding Carly’s rival turned out to be 100% accurate. Go me! ★★★★

Flying Sparks, vol. 1
Writer: Jon Del Arroz
Artist: Jethro Morales
(Amazon, Superhero)

Yes, I know: I’m incredibly late on this one — and I regret that because the concept that animates this book is a super fun spin on a classic trope. I’ve always been a big fan of what some on the net term “identity porn.” I love, for example, all those scenes in my classic Marvel comics in which some other Avenger openly praises or longs for Tony Stark’s engineering expertise while Iron Man is standing right there. Well, in Flying Sparks, Del Arroz takes the identity porn to a whole new - and delicious - level. You see, in their ordinary lives, Johnny and Chloe are boyfriend and girlfriend — but in their secret lives, they are, respectively, a budding supervillain and a budding superhero. The irony this sets up as we jump between competing narratives definitely makes for an excellent read. ★★★★

Stillwater, vol. 1
Writer: Chip Zdarsky
Artist: Ramon Perez
(Image Comics, Fantasy — Real World Setting)

As you may have noticed, Zdarsky is a writer I trust and like, so when I saw this series up for sale, I didn’t hesitate to pick it up. The eponymous town in this book is one in which, thanks to a mysterious event years ago, no one ever ages and no one ever dies. To protect the secret of Stillwater, the town judge has locked the place down and barred any of its residents from leaving — or communicating with outside friends and family. But not everyone is happy with this state of affairs; some are chafing under the judge’s tyrannical rule and are assembling to challenge his authority so that they may live ordinary lives. It’s an interesting premise - particularly in this day and age - because it highlights the tension that always exists between a population’s security and its liberty. The first issues here haven’t really gotten to the meat of the story just yet, but I absolutely see its potential and will be following this series in the future. ★★★ 1/2

Wrath, #1-2
Writer: Scott Kysh
Artists: Emi Utrera & Drew Smith
(Wikid Publishing, Fantasy — Real World Setting)

The main character of this new crowdfunded comic is a survivor of childhood abuse who learns that his anger at his biological father can escape his body and take physical form in the real world. The story has only just begun, so I don’t know yet where the author intends to take this idea. However, I’m intrigued already that the protagonist does not have perfect control over his spirit monster — and that he seems to get a possibly corrupting rush from using his new ability. This could be a really strong exploration of the negative impacts of unprocessed trauma depending on what happens next. As with Stillwater above, there is potential here, and I’m genuinely eager to buy the next issue. I just hope I don’t have too long to wait! ★★★ 1/2 .


And while you're here, click below to listen to my latest Iron Man-focused stream!

Friday, November 13, 2020

Two Recommendations & Iron Man #3

Recommendations:

Kamen America, Vol. 2, Timothy Lim, Mark Pellegrini

Carly Vanders has a problem: she's now a superhero, but no one seems to appreciate her -- or even notice that she exists. And if she's perfectly honest with herself, that really sticks in her craw. But does the recognition of adoring crowds actually matter? Or is Carly allowing her envy of an old childhood rival to cloud her view?



Like everything else produced by this artist/writer team, the second volume of Kamen America features bright, adorable manga-inspired art and an entertaining story driven by a powerful - and sadly rare - moral sensibility. Specifically, Lim and Pellegrini take direct aim at the unearned emotional validation and "yass-queen-slay!" cheerleading that is sadly epidemic in mainstream comics featuring female heroes, electing instead to keep their leading lady humble and focused on doing good for its own sake. The result: a book that's a breath of fresh air in a genre otherwise weighed down by tiresome narcissism and political correctness. 

The Kickstarter campaign for Kamen America 2 has already ended, sadly, but I've linked to the pre-campaign page for their Indiegogo for anyone who missed the first pass. Do pick this up if you can; I give it my highest recommendation.

The Archer's Cup, S.D. Smith

This is another addition to Smith's middle-grade Green Ember universe, which I have praised on this blog on multiple occasions for its able storytelling, depth of characterization, and strong themes. Here, Smith follows Emma and archer Jo Shanks as they attempt to recruit Blackstone Citadel to join the fight against the Preylords -- and incidentally stumble into a mystery that's tearing the secret citadel apart. Said mystery is pretty simple - I figured it out quite early on - but Smith's young audience should enjoy it regardless. And the message here - that love is not a passion but an act of an honorable will - is remarkably wise and necessary in a world that elevates lust and shallow sentiment over sacrifice and virtue. A good choice for a read-aloud!



Iron Man #3

Gird your loins! It's New Iron Man Day.


So what do I think of this particular issue? Uh. Well. The art remains top-notch (and is the reason why I'm buying these at this point), and the story does dial back somewhat on the obnoxiously overt political commentary, so -- that's a marginal improvement, I guess? On the whole, though, it still isn't what I'm looking for. It still feels like Cantwell, at best, only partially groks Tony on a fundamental level.

Friday, October 23, 2020

More Reviews!

Marymae and the Nightmare Man, A.M. Freeman (Author), Jeslyn Kate (Illustrator)

This book strongly evokes the silly stories my brother and I used make up as bored little kids. Pirates? Dinosaurs? Chainsaw battles? A heroine who, upon confronting the big bad, essentially calls him a poopy head? Yeah: the author here doesn't bother with sense-making. Instead, she's having fun -- and there is a crystal-blue purity to it all that needs to be experienced to be appreciated. Definitely pick this up if you want something happy and imaginative and hopeful to read to your younger children. I think most kids will immediately take to the plucky Marymae.


This anthology, on the other hand, is strictly for adults -- but it's a very, very interesting read. Imagine, for example, that someone could alter reality simply by convincing enough people to believe an outright falsehood? Or: imagine we could, through technological wizardry, create the perfect safe space by essentially erasing all perceptible traces of anyone who disagrees with us or makes us uncomfortable? These are the premises behind the two longest (and best) stories in this collection, which are both blisteringly effective literary explorations of the profound fundamental problems with today's identitarian, truth-denying ideological zeitgeist. Also covered here: the steady erosion of parental rights in Western society, the excesses of the trans movement, our elites' condescending attitudes towards the religious (and the plebs in general), etc., etc. Fox says upfront that he's trying to poke sacred cows; I'd say he's succeeded beautifully. I shall wait with bated breath for the multi-author follow-up!


Iron Man #2

Okay: now that two issues of the Iron Man relaunch have been released, it's time for some more extensive commentary on Christopher Cantwell's so-called "back-to-basics" take. And as I said yesterday on Twitter:

Honestly, the fact that issue two royally honked me off is an absolute tragedy because this new run - despite the rage-inducing bull I'm about to discuss - brings quite a lot to the table. 

Continue reading over on my Iron Man blog...

(And then afterwards, if you'd like, watch my rant on YouTube, which adds a few more things I didn't include in the blog post.)

Friday, October 16, 2020

Capsule Recommendations & My Iron Man #1 Reaction

Capsule Recommendations


If you're in the mood for another magical school story, this book (the first of five) is a pretty good choice. The main characters here actually feel like real children with real, child-like points of view, and the suggestion that there are multiple layers to this world (or perhaps a multiverse?) is actually quite intriguing. I do think it took a little too long for the actual plot to get going in this opening installment -- but if you're patient and stick with the long, long set-up, I think you'll ultimately appreciate the potential of the series as a whole.

Pack Dynamics, Julie Frost

Urban fantasy is not generally a go-to genre for me; for some reason, vampires, werewolves, and the like just don't excite me all that much. This particular novel, however, completely won me over purely on the strength of its characterization. In particular, I fell absolutely in love with Frost's incorrigible human disaster of a "mad scientist," who managed to make me smile basically every time he appeared. Very, very fun!

Shiloh, Helena Sorensen

If you're willing to suspend your disbelief and roll with the premise - that the world has been plunged into a spiritual and literal perpetual night by the actions of an evil god - I think you'll appreciate what this particular novel (also the first of a series) has to say about the ways people can fall from grace -- and how they can find their way back to light and hope. The Amazon algorithm recommended this one to me based on my purchase of the Green Ember books, and I think the connection is apt.


And as for my reaction to the new Iron Man #1, click below...

Monday, August 31, 2020

Wednesday, July 22, 2020

The Right Geek's Birthday Stream!



This was a free-form stream with a couple of my YouTube bros. And yes, I'm pretty sure the tags below don't quite cover everything we discussed.

Sunday, June 14, 2020

Marvel's Rebooting Iron Man Again

Here's a Twitter thread containing my thoughts on the matter:

Friday, May 29, 2020

Happy Birthday, Tony Stark!


More than a year has passed since your arc concluded in the MCU, and I'm still not over it.

I have already expressed many, many feelings about you -- and will likely express many, many more each time I re-watch your movies in the future. Why? Because there's so much there.

I adore you because you're so deeply human. You have capital-I Issues. You don't process trauma well or trust others easily. Sometimes you get scared; sometimes you lose your temper. You make stupid mistakes. But all the while, you're trying.

And then there are the little things. Like the Christmas stocking you've kept for Jarvis. Or that ridiculous bunny. Or the fact that you talk to inanimate objects like they're people. Or the fact that you teach Nebula how to play paper football just because. When the defensive mask comes off, you're the biggest dork in the world.

And holy eff, do you love your friends and family! You will invite a terrorist to your home for a cage match to avenge a buddy's injury. And yes, that's you being an idiot -- but it's also the depth of your passion on full display.

As I once said in a YouTube video, your story of growth and redemption is one of the world's ur-stories. I think that's why I - and countless others - find it so deeply satisfying. We all need to hear that, no matter how far we've fallen, we can still change course -- and change the world.

So here's to you, Tony. You are a damned legend.

Wednesday, April 15, 2020

IMB, 4/15/20: What If? Civil War

Cross-posted from my Iron Man blog:

So I'm breaking with my plan again because I discovered a book last night I somehow missed on my first read-through that managed to murder my poor heart: What If? Civil War.

Like I said, I have many problems with Civil War. As I've written elsewhere:

"My biggest problem with this event in re: Tony is the lack of consistency. In some issues, he's coldly accepting of the new order -- to the point that he willingly lays traps to snare rebels. In other issues, he's screaming in pain over what he feels he has to do (Frontline #11), sobbing openly over losing friends (Casualties of War, The Confession), or laying around in bed and not showering for days because he's been crippled by his depression and self-doubt (the Iron Man tie-ins). True: these differences could be explained away with the public face/private face contrast that's been central to the character since Tales of Suspense. But -- then I remember those forty years of comics prior to Civil War and think: no, no, it still doesn't work. Is it plausible that Tony would accept the necessity of government oversight to stave off something worse? Yes, of course, if you write it carefully. But would he ever agree to ratchet the enforcement to level eleven the minute the clock strikes midnight? No. No way. That's what's dumb. He'd scramble to negotiate first. And oh by the way, if he overheard SHIELD commandos calling themselves "cape-killers," he'd shut that shit down with extreme prejudice because he fucking loves his friendsThat's the Tony I have come to know."

I also hate the either/or thinking that's been encouraged in the fandom surrounding Civil War. As it turns out, the issues in play here are not quite so clear-cut. If superheroes are simply extra-competent good Samaritans, then yes: government oversight is probably overkill. But if they're a quasi-military or police force? Well, there's a reason why the real-world military must answer to a civilian commander-in-chief.

But anyway -- that's a discussion for later. Let us return to the reason for this post. In What If? Civil War, Tony is visited at Steve's grave site by the Stranger, who shows him two alternate resolutions to the recent conflict. In the first, Tony's dead before it even starts; consequently, the enforcement of the SHRA is even more brutal and uncompromising. This confirms for Tony that his choice to back the SHRA was ultimately correct. But wait: not so fast. There is another option:



Friday, April 3, 2020

IMB, 4/3/20: Armor Wars!





And by the way, if you take a gander at the right sidebar, you'll see I've created a new, Iron Man-focused blog. Enjoy!

Sunday, March 15, 2020

Friday, February 14, 2020

IMB, 2/14/20: Bringing More Iron Man to YouTube







Yeah, I'm not liking Iron Man 2020 so far. And yeah, I'm planning to write a take-down of "The Secret Origin of Tony Stark" one day -- because I totally mean it when I declare it the most pointless Iron Man arc of the last decade. :-P

Thursday, February 6, 2020

IMB, 2/6/20: A Recent Invention (Late Post)

Tony Stark's Arrogance: A Recent Invention

As of now, I have revisited all the Iron Man comics that were published between his debut in 1963 and 2014 (not to mention a bunch of his appearances in the Avengers line and elsewhere) -- and based on what I've read, Tony Stark wasn't depicted as arrogant until the late 90's (and back then, it was still only an occasional flaw).

I'm sure that must sound weird to the normies out there - or to the young'uns who've only read his 21st century iteration - but I swear to God, just before the century turned, there was a distinct shift in how Tony was written.

Some themes remained constant of course. Tony has been a hard partier from the word go. And yes, he's always displayed what I've described in previous posts as a "need for mastery" -- i.e., a need to have control over his own fate. But unless I've missed something, the Tony Stark of the first era (i.e., the era spanning Tales of Suspense and the first volume of his solo series) isn't prideful -- like, at all.

As a founding Avenger, Tony integrates himself into a team with no trouble; indeed, it's Hawkeye, not Tony, who's most likely to get on Cap's case in this period. Meanwhile, in his own line, Tony shows a repeated tendency towards self-criticism and self-punishment (which, granted, does persist in the better modern books despite the aforementioned shift). When he realizes early on that Pepper has a crush on him, he doesn't pursue her as if she were his birthright; on the contrary, he does everything he can to push Pepper into Happy's arms because "no woman should bear the burden of having a partner who could die at any second." (Yes, that's his exact line of reasoning.) When he gets into a fight with Cap over a misunderstanding, he berates himself at the end of the issue for being an idiot and not realizing he was being played. When he tries to quit being Iron Man and people get hurt, he declares himself a heel and immediately gets to work setting things right. I honestly could go on and on listing examples of first-era-Tony being humble, ethical, and sacrificing.

So what happened? I think Tony's later writers may have fundamentally misunderstood Stan Lee's stated reasoning for inventing the character. Lee once said that he wanted to challenge himself by making a hero out of someone people were likely to hate: a rich, attractive military contractor with the entire world at his feet. In other words, Lee wanted to break a stereotype. This is just my theory, but I think more recent writers transmogrified that into "people had reason to hate Tony before he became Iron Man" -- even though there's zero evidence in early canon that Tony was behaving in a way that supports that notion. And no, the simple act of making weapons is not that evidence. War is inevitable (sorry, utopians); thus, there's nothing inherently wrong with equipping our military with the tools it needs to fight those wars effectively. On the whole, the support for the modern interpretation of Tony Stark, as far as I can tell, all comes from later retcons -- not from Lee's original creation.

No, yon writers of Axis and Superior Iron Man: 616 Tony is not a reformed sociopath just one nudge away from pure depravity. At least, that's not how he was originally written. That's you guys deciding that Tony could not have agreed to pick up military contracts unless he was simply a bad person. That's you guys dumbing this shit down to satisfy your own knee-jerk sensibilities.

(Can you tell I've changed my mind and decided to cover everything -- including the absolute trash? Yeah: I've succumbed to the temptation to complain.)